Filipe Manuel Neto
**Peter Sellers' big farewell in a film that highlights his more chivalrous side.**
There are films that, even though they're good, cannot be consensual, and this is one of them. It's a film that conquers admirers as easily as it accumulates people who didn't understand it or didn't like it for whatever reason. I confess that I liked it, but I can understand both sides. The film has qualities, but it also presents a story that is not pleasant, and that is so far-fetched that it could never actually take place in real life.
The film presents a friendly character who is not easy to be indifferent to: Chance is a gardener who loves what he does and is very good at taking care of plants, but who was educated in a very informal way, confined inside a man's house. boss he served his entire life, without ever leaving, without ever going to school, without having any idea of the world around that house. The only glimpse of the world he had was through television, which he watches daily and with pleasure. When the boss dies, he is evicted from that house by lawyers who were not even aware of his existence. Without education, home or even documents, he wanders around the city and, by luck, ends up in the house of a very rich banker, ingratiating himself with his family with his adages which, however vague and inconsistent they may be, are taken as authentic pearls. of wisdom.
I have no doubt that there are very wise people in the world who have never set foot in school nor know how to sign their name. These are people who, having not had the opportunity to attend education in their lives, replaced it with a rich life experience and have very valuable empirical knowledge. I know people like that. However, it is inconceivable that someone has lived their entire existence within a house where they serve without ever leaving for anything, and without having documents of any kind. The script makes a mistake here, it exaggerates its proposition, and people's reactions afterwards are equally exaggerated and unreasonable. I recognize this.
However, the beauty of the tale created around the figure of this gardener, who never loses his purity, his kindness, is undeniable. And we really have to surrender to Peter Sellers' magnificent performance. The actor provides us with a discreet and elegant work in which he highlighted his best features, a restrained, almost aristocratic posture and slow, absolutely clear and well-pronounced diction. Unfortunately, he is almost the only actor to deserve a positive rating: Shirley Maclaine, Melvyn Douglas and Jack Warden are good, but they appear absolutely bland and disinterested here.
